Saturday, 30 August 2014
Friday, 22 August 2014
Soul Architects
The soul architects slid along the pavements,
sniffing, murmuring between themselves.
They watched for the moment before the storm,
the aftermath of which was their creation,
in such destruction their resurrection,
in such anguish their house was built.
sniffing, murmuring between themselves.
They watched for the moment before the storm,
the aftermath of which was their creation,
in such destruction their resurrection,
in such anguish their house was built.
Saturday, 2 August 2014
At times I wonder the words they murmured
The afternoon haze cast itself a brilliant illumination across the prairie.
Taking steps forward,
Backward
seeking. They were hesitating,
while the future kept beckoning,
because they wanted no part of it.
"There is Now," Malone's words kept passing through their thoughts,
their inflamed minds that once ignited
would never droop to a smoulder
and the atoms that they would become
had never known another,
and in the span of half a century
they finally came together.
A separation so intolerably long would one day
melt
like a frozen finger of ice beneath an afternoon haze.
Until then, they were just holding on.
Holding on to this moment,
Now
the only moment that had ever - would ever - matter.
Taking steps forward,
Backward
seeking. They were hesitating,
while the future kept beckoning,
because they wanted no part of it.
"There is Now," Malone's words kept passing through their thoughts,
their inflamed minds that once ignited
would never droop to a smoulder
and the atoms that they would become
had never known another,
and in the span of half a century
they finally came together.
A separation so intolerably long would one day
melt
like a frozen finger of ice beneath an afternoon haze.
Until then, they were just holding on.
Holding on to this moment,
Now
the only moment that had ever - would ever - matter.
Tuesday, 29 July 2014
The Library
The sun glared on the bare legs of figures spread over Piccadilly Gardens. I don't know how that's relevant, but it seemed a good way to start telling you about something odd that happened yesterday, even though that particular moment happened two days earlier.
I've started volunteering in a library this summer. It's one that specialises in antiques; old, crumbling tome after old, crumbling tome. I get to climb high among the books, like a midshipman scaling the crow's nest. It's an interesting way to look at books. It also gets tiring, spending hours on end reshelving.
I was sat behind a desk taking a break when she came along. Her age was indecipherable. She could have been anywhere from late twenties to early fifties. A lot of the time her age seemed to vary on the lighting, or her mood. Maybe it was just the make up.
She glanced about the place absently, and I watched. Just a habit, I suppose, or perhaps my eyes just happened to plant themselves on her when she turned and caught my eye. I was in trouble now. I was just a re-shelver. Not a receptionist. Hell, it was my second day.
I asked her to sign in on the sheet because that's what the others did when someone came in. When I looked at what she had written later, all I saw was an indecipherable scrawl.
She wanted to know where the section on marriage-advice was. Remember, this library specializes in antiques. One section's even called 'polite literature'. There was no marriage shelf, let alone any self-help section.
Also, her hand was bare. No wedding ring.
Could have been trying to find a book for a friend but she seemed way too personally involved. Her eyes kept flitting about the room, she couldn't settle on her feet. I don't think she ever stopped moving after she entered. She scratched at an arm a lot too, and all while giving the saddest smile.
I didn't notice any of it at the time, but I knew then she was acting oddly, even if I couldn't explain how. None of it bothered me too much beyond the usual parameters of disliking social contact. What really made me hesitate was when she turned to leave. It took some convincing until she believed me when I told her that we didn't have that kind of book. And then she'd gone on a tangent about how I should be careful using the ladders, that I could fall easily.
Anyway, when she started moving off, she did this sort of stretch, and her shapeless beige shirt lifted up slightly. Creeping out of the hem of her jeans was a faded sliver of grey and white. A tattoo. A cartoon rabbit. A Thumper tattoo.
I've started volunteering in a library this summer. It's one that specialises in antiques; old, crumbling tome after old, crumbling tome. I get to climb high among the books, like a midshipman scaling the crow's nest. It's an interesting way to look at books. It also gets tiring, spending hours on end reshelving.
I was sat behind a desk taking a break when she came along. Her age was indecipherable. She could have been anywhere from late twenties to early fifties. A lot of the time her age seemed to vary on the lighting, or her mood. Maybe it was just the make up.
She glanced about the place absently, and I watched. Just a habit, I suppose, or perhaps my eyes just happened to plant themselves on her when she turned and caught my eye. I was in trouble now. I was just a re-shelver. Not a receptionist. Hell, it was my second day.
I asked her to sign in on the sheet because that's what the others did when someone came in. When I looked at what she had written later, all I saw was an indecipherable scrawl.
She wanted to know where the section on marriage-advice was. Remember, this library specializes in antiques. One section's even called 'polite literature'. There was no marriage shelf, let alone any self-help section.
Also, her hand was bare. No wedding ring.
Could have been trying to find a book for a friend but she seemed way too personally involved. Her eyes kept flitting about the room, she couldn't settle on her feet. I don't think she ever stopped moving after she entered. She scratched at an arm a lot too, and all while giving the saddest smile.
I didn't notice any of it at the time, but I knew then she was acting oddly, even if I couldn't explain how. None of it bothered me too much beyond the usual parameters of disliking social contact. What really made me hesitate was when she turned to leave. It took some convincing until she believed me when I told her that we didn't have that kind of book. And then she'd gone on a tangent about how I should be careful using the ladders, that I could fall easily.
Anyway, when she started moving off, she did this sort of stretch, and her shapeless beige shirt lifted up slightly. Creeping out of the hem of her jeans was a faded sliver of grey and white. A tattoo. A cartoon rabbit. A Thumper tattoo.
Saturday, 19 July 2014
All you who sleep tonight
All you who sleep tonight
Far from the ones you love,
No hand to left or right
And emptiness above -
Know that you aren't alone
The whole world shares your tears,
Some for two nights or one,
And some for all their years.
Far from the ones you love,
No hand to left or right
And emptiness above -
Know that you aren't alone
The whole world shares your tears,
Some for two nights or one,
And some for all their years.
Vikram Seth
Sunday, 11 May 2014
FATE
Two shall be born, the whole wide world apart,
And speak in different tongues and have no thought
Each of the other's being, and no heed.
And these, o'er unknown seas, to unknown lands
Shall cross, escaping wreck, defying death;
And all unconsciously shape every act
And bend each wandering step to this one end -
That, one day, out of darkness they shall meet
And read life's meaning in each other's eyes.
And two shall walk some narrow way of life
So nearly side by side that, should one turn
Ever so little space to left or right,
They needs must stand acknowledged, face to face.
And, yet, with wistful eyes that never meet
And groping hands that never clasp and lips
Calling in vain to ears that never hear,
They seek each other all their weary days
And die unsatisfied - and this is Fate!
Susan Marr Spalding [1841-1908]
And speak in different tongues and have no thought
Each of the other's being, and no heed.
And these, o'er unknown seas, to unknown lands
Shall cross, escaping wreck, defying death;
And all unconsciously shape every act
And bend each wandering step to this one end -
That, one day, out of darkness they shall meet
And read life's meaning in each other's eyes.
And two shall walk some narrow way of life
So nearly side by side that, should one turn
Ever so little space to left or right,
They needs must stand acknowledged, face to face.
And, yet, with wistful eyes that never meet
And groping hands that never clasp and lips
Calling in vain to ears that never hear,
They seek each other all their weary days
And die unsatisfied - and this is Fate!
Susan Marr Spalding [1841-1908]
Thursday, 6 March 2014
Friday, 28 February 2014
We Carry The People We Meet With Us
Why is it that whenever I catch eyes with one of them that I'm drawn to her to such an extent that her face is burned into my retina? This stranger girl draws me in so much that I leave with part of myself lost, or stolen; a thousand hypotheticals leave my heart feeling drowned.
Wednesday, 19 February 2014
Sunday, 1 December 2013
Falter
This is why they continue:
I saw my friends turn and falter
one by one
turning a lie on its heels,
their rationalisation of inhaled defences
had failed. Their ashen lungs heaved,
but try as they might, the rain continued to fall.
| | | | | | | |/ | | \|| | | | | | | | || | |/ || | | | | | | | |
Are you beginning to understand?
I saw my friends turn and falter
one by one
turning a lie on its heels,
their rationalisation of inhaled defences
had failed. Their ashen lungs heaved,
but try as they might, the rain continued to fall.
| | | | | | | |/ | | \|| | | | | | | | || | |/ || | | | | | | | |
Are you beginning to understand?
Quote of the day [night].
"The angel of his youth became the devil of his maturity. He went out
with women when he was young, always holding something in reserve. There
would always be a reason to break it off, which opened the door to a
multitude of relationships. Heaven. Or so he thought. As age encroached
upon his sensibilities and form, he longed for something with enough
vitality to endure. But the covering cherub of his Lothario days had
stayed with him and was no longer so angelic. It haunted him, guarded
him, kept him from intimacy promising the ash dry glory of so many
toppling relationships, toppling like dominos, one after another, ad
infinitum, or at least until he died."
Tuesday, 19 November 2013
Friday, 15 November 2013
Wednesday, 6 November 2013
"Perhaps I will alter the whole thing. Kill both children..." - A quote from H.O.L. I'd attribute to old man Z.
I've been looking back at my oldest posts today. Did that boy think he'd grow? Well he did, in a way. Heroin, ketamine, LSD, coke, glue, crack, shrooms, alcohol... Anything to help me forget. That's all we do these days, isn't it? The wild youth? We try to burn our memories.
Ever since I moved out of the house and got an apartment near the uni things have been getting exagerrated. I read a lot more now. And not only because I'm studying English Literature: there's no tv in my room, no phone reception, dodgy wifi that barely lets me make a post on here. No students live in these apartments either, just a few quiet middle-aged people sleepwalking through their lives. A few doors away a Frenchman with a habit of talking too long, midway through a divorce. And the landlord, although I only saw him once, and he was more interested in me paying a rent than making conversation. At least he doesn't care when the smell of cannabis seeps into the curtains, escapes through the cracks beneath the floorboards and permeates the hallways.
I thought I'd be fine, I'm an introvert anyway. This is my own private squalid sanctuary. Although of course it isn't squalid. The rent is reasonable and the rooms are clean. I suppose things seem dingy when you're rotting inside. Good old Doctor Louise knocked up the dose of fluoxetine. That should help add to my trench, my fortifications, my wall and Maginot line of defense. Along with the other drugs. Being alone a lot has led me to the books. Any book really, as it always happens. Doesn't help lessen my growing obsession with House of Leaves. But why would I mind that?
I settled for making a few alterations to the old posts. Maybe later I'll have the courage to delete them, maybe the whole blog. Let the URL sink into oblivion. Right now I've spent too much time on it to feel like ending it.
I've been looking back at my oldest posts today. Did that boy think he'd grow? Well he did, in a way. Heroin, ketamine, LSD, coke, glue, crack, shrooms, alcohol... Anything to help me forget. That's all we do these days, isn't it? The wild youth? We try to burn our memories.
Ever since I moved out of the house and got an apartment near the uni things have been getting exagerrated. I read a lot more now. And not only because I'm studying English Literature: there's no tv in my room, no phone reception, dodgy wifi that barely lets me make a post on here. No students live in these apartments either, just a few quiet middle-aged people sleepwalking through their lives. A few doors away a Frenchman with a habit of talking too long, midway through a divorce. And the landlord, although I only saw him once, and he was more interested in me paying a rent than making conversation. At least he doesn't care when the smell of cannabis seeps into the curtains, escapes through the cracks beneath the floorboards and permeates the hallways.
I thought I'd be fine, I'm an introvert anyway. This is my own private squalid sanctuary. Although of course it isn't squalid. The rent is reasonable and the rooms are clean. I suppose things seem dingy when you're rotting inside. Good old Doctor Louise knocked up the dose of fluoxetine. That should help add to my trench, my fortifications, my wall and Maginot line of defense. Along with the other drugs. Being alone a lot has led me to the books. Any book really, as it always happens. Doesn't help lessen my growing obsession with House of Leaves. But why would I mind that?
I settled for making a few alterations to the old posts. Maybe later I'll have the courage to delete them, maybe the whole blog. Let the URL sink into oblivion. Right now I've spent too much time on it to feel like ending it.
Sunday, 13 October 2013
Friday, 4 October 2013
Sunday, 29 September 2013
Blogger crashed so I'll have to rewrite this. The second copy of House of Leaves arrived this week. It came in an elderly yellow package, that had done little to prevent whatever event caused a few of the corners to bend. That said, I'm not sending it back after waiting two weeks for it to arrive. I don't really mind its injuries. This new copy's the full colour edition. Though I'm sure it isn't missing any pages, it feels a lot lighter than my original version.
If I look at the husk of packaging now I can see darkness still clings to the far corners of its mouth, despite the fact that it has been opened. I wonder how many days the book slumbered (or paced) in the envelope. How many hours it spent drenched in night. How it existed in that eternal span of time before any eyes set upon it again. I wonder if that black journey means anything, changes anything about the book. It certainly changes how I look at it. As I waited for my cheap oven pizza to 'cook', I walked in ellipses around my kitchen, holding the light copy, reading the opening from where the words spring (or more accurately: drift) off the page, into my mind, through me. It takes a powerful book to do that to you. If you've ever read one, you'll understand the sensation I'm talking about.
If I look at the husk of packaging now I can see darkness still clings to the far corners of its mouth, despite the fact that it has been opened. I wonder how many days the book slumbered (or paced) in the envelope. How many hours it spent drenched in night. How it existed in that eternal span of time before any eyes set upon it again. I wonder if that black journey means anything, changes anything about the book. It certainly changes how I look at it. As I waited for my cheap oven pizza to 'cook', I walked in ellipses around my kitchen, holding the light copy, reading the opening from where the words spring (or more accurately: drift) off the page, into my mind, through me. It takes a powerful book to do that to you. If you've ever read one, you'll understand the sensation I'm talking about.
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